Beat Takeshi is one of my favorite film-makers. I cycle through his works, giving each its turn as my favorite. In the number one position for now is “Hana-Bi” (aka “Fireworks” in the US). As a ‘97 film, the music is a bit dated, the clothing and the cars are dated, but both the story and the style are positively timeless. Bleak and beautiful, Takeshi’s characters crawl between incredible landscapes in silence and discomfort, finding the most touching moments of happiness in between beatings and yakuza dealings. Takano plays actor, director, writer, and editor, as well as supplying all the vibrant and colorful paintings shown in the film.

I am obligated to say more specifically what is special about Hana-Bi: As a modern film, it will naturally draw comparisons to Tarantino, but this is where Quentin got it. Long, long, long shots; anachronistic plot lines; and the perfect blend of violence, humor, and gentle emotions. Hana-Bi allows you perfect suspension of disbelief. Please find this movie, either by legal or non-legal means.